Dreams of an Architect
  • HOME
  • ABOUT
  • BLOG
  • PORTFOLIO
  • SERVICES
  • CONTACT
Fallingwater
December 26, 2014

Technology, mentality, innovation: Modernism in Architecture

Monica Cirstea

Arts symbolize the ideals of the society at a certain time in history. Although, it is only architecture that truly bridges the gap between formal representation of ideas and reality of life as a beautiful scene. Architecture, since its early beginnings, has depended upon two major factors: the people’s mentality and the development of building techniques. Both science and art, the aim of architecture is to achieve a perfect match of esthetic and technological standards.
The history has seen various innovations that changed the aspect of the living space, but no other period has brought about more changes in architecture than the last century. Reconciling the principles underlying architectural design with rapid technological advancement and modernization of society, modern architecture represents a revolution in the esthetic values, showing up a vivid expression of the modern lifestyle.
Modernism in architecture came as a result of social and political revolutions and was driven by technological and engineering developments. The Industrial Revolution resulted in the invention of new building techniques, using newly-available materials such as iron, steel and glass. The structure and the materials (reinforced concrete, structural steel) are visually expressed in the design of the modern buildings.
The motto of the movement, as expressed by Louis Sullivan, is ‘form follows function’. Unlike the previous styles, in modernism the accent was no longer put on the ornaments of the facades, but on the way in which the functions of the building reflected in the exterior. The attempt of expressing pure forms resulted in the elimination of the ‘unnecessary details’ that characterized the eclectic and Victorian styles, promoting instead simplicity and clarity.
There have been several approaches to modernism, some of which are still manifested today:

– The Art Nouveau movement, represented by Victor Horta, Hector Guimard and Antoni Gaudi, used modern materials such as wrought iron to create exquisite ornaments.

Stairway, Tassel House, Brussels, 1894 – designed by Victor Horta
 
Hotel van Eetvelde, Brussels, 1895-1898 – Victor Horta
Entrance to the Porte Dauphine metro station, Paris,1899 – designed by Hector Guimard

Hotel Guimard, Paris, 1912 – Hector Guimard

Antoni Gaudi Casa Mila
Casa Mila, Barcelona, 1906-1910 – Antoni Gaudi
Antoni Gaudi Sagrada Familia
Antoni Gaudi Sagrada Familia nave roof detail
Sagrada Familia, Barcelona, 1883-present – Antoni Gaudi

– The United States, Frank Lloyd Wright’s prairie houses and organic style were a major influence on European architecture.

Fallingwater House, Pennsylvania, 1935 – Frank Lloyd Wright
Robie House, Chicago, 1908-1910 – Frank Lloyd Wright

– In Germany, Walter Gropius founded the Bauhaus School in Weimar in 1919, which had a endometru contribution to the International style in architecture.

– After World War I, an art and design movement developed unique to the Netherlands. Founded by Gerrit Rietveld and known as De stijl, it was characterised by the use of primary colours and straight lines.  Among the best known De Stijl creations, there are the

Red/blue armchair (1918) designed by Gerrit Rietveld

Schroder House (Utrecht, 1924) designed by Gerrit Rietveld

– Erich Mendelsohn designed in the expressionist style. His most remarkable project was The Einstein Tower(1919-1924):

– The postmodernist style, founded by Robert Venturi, is a reinterpretation of clasicism.
Vanna Venturi House,Pennsylvania, 1961-1964 – Robert Venturi
The most important styles in contemporary architecture are:

– The high-tech architecture, represented by Renzo Piano and Richard Rogers, affirms its technological esthetics by exposing the structural systems. The George Pompidou Centre in Paris and the Lloyds Building in London are the most representative constructions for this style.

Georges Pompidou Centre, Paris, 1971-1977 – Renzo Piano and Richard Rogers
Lloyds Building, London, 1978-1986 – Richard Rogers
 

– Deconstructivism, represented by Frank Gehry, Daniel Liebskind and Zaha Hadid

Guggenheim Museum, Bilbao, 1991-1997 – Frank Gehry
 
Library and Learning Centre of the Vienna University of Economics and Business Campus – 
Zaha Hadid  
– Neofuturism – represented by the Spanish architect Santiago Calatrava
The Alamillo Bridge, Seville, 1989-1992 – Santiago Calatrava
 
Being a synthesis of the major changes that took place in the last century, the modern style in architecture mirrors the ideals of the contemporary society and promotes new esthetic principles. Based on technological development, architecture nowadays has reached countless possibilities. Still, one question remains: are those modern constructions a genuine achievement or merely a passing fad that will not be able to stand the test of time? Only time will reveal the answer…
Educația My year in review – 2014

Related Posts

Minunata lume noua - Aldous Huxley

Culture, Reviews

Minunata lume nouă – Aldous Huxley (recenzie și citate)

Arhitectura traditionala

Culture, Lifestyle, Opinion

De ce sunt importante tradițiile?

Arhitectura fericirii recenzie si citate - Monica Cirstea

Culture, Reviews

Arhitectura fericirii – Alain de Botton (recenzie și citate)

Categories

Recent Posts

  • Dreams of an Architect devine OMNIA
  • #ArhiSTART în profesia de arhitect la Novembarh 2023!
  • Minunata lume nouă – Aldous Huxley (recenzie și citate)
  • De ce sunt importante tradițiile?
  • Dacă ne-am cunoaște și altfel…

Recent Comments

  • Monica Cirstea on De la oraș la program. Piața de flori
  • Stelian Chetroiu on De la oraș la program. Piața de flori
  • Tudor Camelia on Locuirea în comunitate. Arad – arhitectura de a fi împreună
  • Monica Cirstea on The Sampietro House – Mario Botta
  • Anonymous on The Sampietro House – Mario Botta

Archives

Dreams of an Architect
© Dreams of an Architect 2026
Designed by Monica Cirstea